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NYT > Movies

On average 4 Articles by day

We Still Like It Hot

We Still Like It Hot Zowie! Our critics and readers pondered the silliness and semiotics of “Some Like It Hot,” with Jack Lemmon, Marilyn Monroe and Tony Curtis, all in dresses and tottering heels.

via NYT > Movies
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‘Searching Eva’ Review: Identity Poetics

‘Searching Eva’ Review: Identity Poetics This portrait of a professed sex worker, writer, anarchist, feminist, musician and recovering addict is a tough film to pin down.

via NYT > Movies
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The Essential Spike Lee

The Essential Spike Lee From “Do the Right Thing” to “Inside Man,” here is a starter guide to an imposing and eclectic body of work.

via NYT > Movies
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Patricia Reed Scott, Who Cast New York as Hollywood East, Dies at 86

Patricia Reed Scott, Who Cast New York as Hollywood East, Dies at 86 Working for two mayors, she re-established the city as the prime East Coast outpost for movie and TV production, clearing out traffic more than once.

via NYT > Movies and NYT > Arts > Television and NYT > New York
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The Best Movies and TV Shows Coming to Netflix, Amazon and More in June

The Best Movies and TV Shows Coming to Netflix, Amazon and More in June Every month, subscription streaming services add a new batch of titles to their libraries. Here are our picks for June.

via NYT > Movies and NYT > Arts > Television
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Celebrating Pride on Film

Celebrating Pride on Film Missing parties and parades during Pride Month? These movies will fill your screen with joy, history and rainbows.

via NYT > Movies
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‘The Vast of Night’ | Anatomy of a Scene

‘The Vast of Night’ | Anatomy of a Scene The director Andrew Patterson discusses a switchboard sequence from his science-fiction drama featuring Sierra McCormick.

via NYT > Movies
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‘Phoenix, Oregon’ Review: An Ode to Small-Town Joys

‘Phoenix, Oregon’ Review: An Ode to Small-Town Joys Gary Lundgren’s comedy, which celebrates the comfort of a local hang, feels poignant during our current pandemic.

via NYT > Movies
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What Tracee Ellis Ross Worried About in ‘High Note’ (It Wasn’t Her Mom)

What Tracee Ellis Ross Worried About in ‘High Note’ (It Wasn’t Her Mom) Her character, a glamorous singer, might remind others of Diana Ross, but that’s not what the star was thinking. Really.

via NYT > Top Stories and NYT > Movies
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‘The Vast of Night’ | Anatomy of a Scene

‘The Vast of Night’ | Anatomy of a Scene The director Andrew Patterson discusses a switchboard sequence from his science-fiction drama featuring Sierra McCormick.

via NYT > Movies
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